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25th March 2023 - Strathearn Arts 7.30pm - 'From the Old and New Worlds'
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Trial by Jury
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That was the verdict on Crieff Choral Group’s concert last Saturday night, in St Andrew’s Hall, Crieff, which showcased songs from Gilbert and Sullivan operettas and staged a vibrant rendition of G & S Trial by Jury.
The first half saw the ladies dressed in jewel coloured blouses and the men smart as ever opening the concert with two songs from HMS Pinafore: Let’s Give Three Cheers and Oh Joy, Oh Rapture Unforeseen. Each song was introduced by the conductor, Peter Rutterford who set the song in context with each opera.
The audience were then treated to a beautiful solo by Alex Milne whose flawless soprano voice soared across the hall. A local talented musician, Alex had come back from Durham University to sing – a family affair as her mother is a member of the choir and this was announced as the first of two family connections in the choir.
The first half saw the ladies dressed in jewel coloured blouses and the men smart as ever opening the concert with two songs from HMS Pinafore: Let’s Give Three Cheers and Oh Joy, Oh Rapture Unforeseen. Each song was introduced by the conductor, Peter Rutterford who set the song in context with each opera.
The audience were then treated to a beautiful solo by Alex Milne whose flawless soprano voice soared across the hall. A local talented musician, Alex had come back from Durham University to sing – a family affair as her mother is a member of the choir and this was announced as the first of two family connections in the choir.
Next, the choir sang the Tudor inspired lyrical madrigal from the Mikado: Brightly Dawns Our Wedding Day. Then Alison Martin, a choir member, moved to her concert harp where she sang two Scottish airs and accompanied herself. Both songs continued the concert’s theme of love and marriage: The Laird o’ Cockpen and The Spinning Wheel, the former song having been written in the 1700s by the Jacobite Carolina Oliphant, Lady Nairne, born at the local village at Gask.
After the choir’s delightful rendition of Leaves in Autumn Fall and Fade from Ruddigore, Craig Dennis sang a delightful and poignant Tit Willow tenor solo from Mikado. His voice had such sympathy and range that the audience were mesmerised. Craig, a long standing Gilbert and Sullivan fan, has sung many operettas locally and the audience were very appreciative of his talents.
Following Craig’s solo, the choir sang Strange Adventure from Yeoman of the Guard and afterwards we were treated to Alex and Craig returning together to sing a duet from lolanthe: None Shall Part Us. Their voices dovetailed beautifully and complemented each other.
After the choir’s delightful rendition of Leaves in Autumn Fall and Fade from Ruddigore, Craig Dennis sang a delightful and poignant Tit Willow tenor solo from Mikado. His voice had such sympathy and range that the audience were mesmerised. Craig, a long standing Gilbert and Sullivan fan, has sung many operettas locally and the audience were very appreciative of his talents.
Following Craig’s solo, the choir sang Strange Adventure from Yeoman of the Guard and afterwards we were treated to Alex and Craig returning together to sing a duet from lolanthe: None Shall Part Us. Their voices dovetailed beautifully and complemented each other.
The final song before the interval was the celebratory Dance A Cachucha from the wedding scene in The Gondoliers, with the choir swaying in time in alternate rows, and in a cheerful encore, the conductor asked the audience to sway too – and yes, the whole hall swayed!
After the interval where raffle tickets were sold for an exciting range of beautifully presented hampers, we watched the stage being reset for a court scene for Trial by Jury.
The choir emerged transformed into members of the Jury and public observers with period caps and hats, shawls and flowers and conversed agitatedly as they waited for the trial to start. Mike Owens was magnificent as the Usher, striding about and controlling the rabble with his sonorous voice booming: ‘Silence in Court’! The Defendant was sung by Barry Parkin, another long standing G & S fan who also sings in Perth Choral Group. Barry showed all his emotions from extreme piety to glee as the love sick Defendant Edwin, who had once loved the Plaintiff, Angelina, but was now tired of her and looking elsewhere to marry.
The choir members sang the roles of the Jurors with comedic effect, showing their supposed age and infirmity, singing about their past relationships but arguing that now they are respectable and beyond reproach.
Amid great pomp, the Judge, sung by John Drummond, made a stately progress to the pulpit bewigged and gowned, with a large glass of whisky! With a sonorous bass voice, he told the story of his rise to success, with the help of a rich attorney and his ‘elderly, ugly daughter’, whom he later threw over when his career was secure. John’s comic timing was magnificent, and the choir members’ chorus reactions were hilarious as his tale of his rise to fame and fortune became ever more scurrilous!
Finally, the Plaintiff, Angelina was called into court, first by the Usher and then by her four Bridesmaids, led by Diane Jack, who after two echoing calls for her to appear, sang her praises in their lyrical song: Comes The Broken Flower.
The Plaintiff was sung by Jennie Turnbull, whose husband Melvyn plays the piano weekly for choir rehearsals, while her son Jamie, studying astrophysics at Edinburgh, accompanied the whole concert on the piano – another family affair brought to our attention by the conductor.
Jennie, with her wedding veil and flowers, played the part of the wronged bride beautifully, her voice floating over the choir as she captured the hearts of the Judge and Jury. The audience could only be sympathetic to her plight.
Craig Dennis supported Angelina ably as the Counsel for the Plaintiff wearing a splendid checked double breasted waistcoat and suit. His sonorous voice explained in a moving song how she had been betrayed by Edwin, causing Angelina to feel faint, almost into the arms of the Foreman of the Jury, sung by Tom Inglis.
After Edwin suggests he marries ‘one lady today …. and the other tomorrow’, the Counsel declares that this would be ‘burglary’ – a comic misrepresentation of bigamy. The choir and all the soloists sang a wonderful song A Nice Dilemma, with different parts dovetailing which was joyful to listen to.
Angelina flung herself against Edwin singing of her bemoaning her loss so as to obtain large damages, while Edwin sang a reply that he was a drunkard, smoker and bully so the damages should be small. The Judge suggested making Edwin tipsy to see if he would ‘thrash and kick her’. Barry as the Defendant could not contain his glee at the thought of this outcome, but everyone else sang in shocked tones against the idea.
Finally, irritated by the lack of progress, the Judge delivered justice from the pulpit by singing an offer to marry her himself. After an outraged reaction from the choir, the Judge descended from his dais as the whole company sang Joy Unbounded and he waltzed off with the Plaintiff to a resounding three cheers from all.
This was a different type of musical concert for Crieff Choral, but it was clear from the full house, entranced audience and energised choir acting their roles superbly that the concert had been a huge success. Huge tributes should be paid to choir members who took on solos, and especially to John Drummond and Jennie Turnbull as Judge and Plaintiff who really took on the personas of their characters and sang with energy and conviction.
The whole evening was effortlessly introduced and conducted by Peter Rutterford in his 18th year at the helm of Crieff Choral. There had clearly been a lot of work put into this production and it paid off in a cheerful, flawless and hugely enjoyable evening.
Crieff Choral start rehearsals next week at Ferntower Hall, in Morrisons Academy on Monday nights at 7.30 for their next concert on 29 March 2020 which is Mozart and Mendelssohn and will be accompanied by the City of Perth Sinfonia. Any singers who would like to join the choir, especially tenors and basses, would be made very welcome. For further information visit http://www.crieffchoral.co.uk/.
After the interval where raffle tickets were sold for an exciting range of beautifully presented hampers, we watched the stage being reset for a court scene for Trial by Jury.
The choir emerged transformed into members of the Jury and public observers with period caps and hats, shawls and flowers and conversed agitatedly as they waited for the trial to start. Mike Owens was magnificent as the Usher, striding about and controlling the rabble with his sonorous voice booming: ‘Silence in Court’! The Defendant was sung by Barry Parkin, another long standing G & S fan who also sings in Perth Choral Group. Barry showed all his emotions from extreme piety to glee as the love sick Defendant Edwin, who had once loved the Plaintiff, Angelina, but was now tired of her and looking elsewhere to marry.
The choir members sang the roles of the Jurors with comedic effect, showing their supposed age and infirmity, singing about their past relationships but arguing that now they are respectable and beyond reproach.
Amid great pomp, the Judge, sung by John Drummond, made a stately progress to the pulpit bewigged and gowned, with a large glass of whisky! With a sonorous bass voice, he told the story of his rise to success, with the help of a rich attorney and his ‘elderly, ugly daughter’, whom he later threw over when his career was secure. John’s comic timing was magnificent, and the choir members’ chorus reactions were hilarious as his tale of his rise to fame and fortune became ever more scurrilous!
Finally, the Plaintiff, Angelina was called into court, first by the Usher and then by her four Bridesmaids, led by Diane Jack, who after two echoing calls for her to appear, sang her praises in their lyrical song: Comes The Broken Flower.
The Plaintiff was sung by Jennie Turnbull, whose husband Melvyn plays the piano weekly for choir rehearsals, while her son Jamie, studying astrophysics at Edinburgh, accompanied the whole concert on the piano – another family affair brought to our attention by the conductor.
Jennie, with her wedding veil and flowers, played the part of the wronged bride beautifully, her voice floating over the choir as she captured the hearts of the Judge and Jury. The audience could only be sympathetic to her plight.
Craig Dennis supported Angelina ably as the Counsel for the Plaintiff wearing a splendid checked double breasted waistcoat and suit. His sonorous voice explained in a moving song how she had been betrayed by Edwin, causing Angelina to feel faint, almost into the arms of the Foreman of the Jury, sung by Tom Inglis.
After Edwin suggests he marries ‘one lady today …. and the other tomorrow’, the Counsel declares that this would be ‘burglary’ – a comic misrepresentation of bigamy. The choir and all the soloists sang a wonderful song A Nice Dilemma, with different parts dovetailing which was joyful to listen to.
Angelina flung herself against Edwin singing of her bemoaning her loss so as to obtain large damages, while Edwin sang a reply that he was a drunkard, smoker and bully so the damages should be small. The Judge suggested making Edwin tipsy to see if he would ‘thrash and kick her’. Barry as the Defendant could not contain his glee at the thought of this outcome, but everyone else sang in shocked tones against the idea.
Finally, irritated by the lack of progress, the Judge delivered justice from the pulpit by singing an offer to marry her himself. After an outraged reaction from the choir, the Judge descended from his dais as the whole company sang Joy Unbounded and he waltzed off with the Plaintiff to a resounding three cheers from all.
This was a different type of musical concert for Crieff Choral, but it was clear from the full house, entranced audience and energised choir acting their roles superbly that the concert had been a huge success. Huge tributes should be paid to choir members who took on solos, and especially to John Drummond and Jennie Turnbull as Judge and Plaintiff who really took on the personas of their characters and sang with energy and conviction.
The whole evening was effortlessly introduced and conducted by Peter Rutterford in his 18th year at the helm of Crieff Choral. There had clearly been a lot of work put into this production and it paid off in a cheerful, flawless and hugely enjoyable evening.
Crieff Choral start rehearsals next week at Ferntower Hall, in Morrisons Academy on Monday nights at 7.30 for their next concert on 29 March 2020 which is Mozart and Mendelssohn and will be accompanied by the City of Perth Sinfonia. Any singers who would like to join the choir, especially tenors and basses, would be made very welcome. For further information visit http://www.crieffchoral.co.uk/.
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If anyone is interested in joining Crieff Choral, information can be found on their website on www.crieffchoral.co.uk, or on Facebook under Crieff Choral Group.
Scottish Charity No. SC013427
Scottish Charity No. SC013427
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Nicky Small
Syd House
Helen MacKinnon
Our autumn term started on 7th September with a super rehearsal led by our new conductor, Ulrike Wutscher. Our programme is 'Songs from the Highlands' and contains Elgar's songs from the Bavarian Hills, Brahms Folk Songs and a selection of songs from the Scottish Highlands.
It is not too late to join us! We rehearse every Monday from 7.30-8.30pm using the on line platform Zoom. Do not be put off if you have never used this before - it is very easy and you will be given clear instructions. If you would like to join us simply click on join us below and leave your details. You will then be contacted by email. Why not give it a try!
It is not too late to join us! We rehearse every Monday from 7.30-8.30pm using the on line platform Zoom. Do not be put off if you have never used this before - it is very easy and you will be given clear instructions. If you would like to join us simply click on join us below and leave your details. You will then be contacted by email. Why not give it a try!
